Canopy Weekends Bremen, Germany
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supported by 9 fans who also own “A1”
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supported by 8 fans who also own “A1”
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supported by 7 fans who also own “A1”
Five slabs of minimalistic, motorik krautrock. The repetitiveness is key here. C2S feels like a sonic mantra, while C3A is more akin to an aural sculpture - the way the entire song morphs through different polyrhythms over a repetitive guitar motif is just incredible to listen to. This is my favourite zement release to date (2022). Its razor-sharp focus on propulsive krautrock is appreciated, all songs are bangers, and at 31 minutes, it doesn’t overstay its welcome. A perfect krautrock record.
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Tasmanian guitarist Julius Schwing embraces the visceral sounds of finger playing, incorporating them into his experimental guitar work.
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Space rock jams get experimental and slightly evil with zoned out synths and wheezing guitar lines plus soft, sweet vocals.
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An introspective record that fuses post-rock, shoegaze and ambient synth patches into a seamless array of shimmering soundscapes.
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spontane emission
by Kombynat Robotron
supported by 5 fans who also own “A1”
If you want a song that sounds like The Edge taking a long road trip through storms in '70s Germany, this is the song for you.
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